THE COLORING BOOK 2020
(interactive version in progress)

Cover Art: Tiffany Zheng
letter from the editors
We would like to express our thanks to everyone who has
contributed to another issue of The Coloring Book this year, and
to everyone who has inspired us to collaborate in the strongest
spirit of unity through the ups-and-downs of this 2019-2020 year.
This issue of The Coloring Book was published in the midst of a
tumultuous time in global history. In writing, reading, and editing
submissions during this time, we found strength within the
voices of our community once again, physically separated but
stronger and more united than ever. The poems, stories, and
artwork in this issue focus on the theme of change, and we are so
grateful and delighted to be able to share how our communities
found strength in this period of global change and growth
through so many diverse voices in art and writing. As seniors
enter a new stage of our lives amidst a transforming world, and
as all in our community face a society being reshaped in many
ways, we hope that creativity and art provide a medium to
process and talk about this change. In editing and publishing
these pieces from such a unique period of time, we as editors
gained so much insight and new outlooks from all the brilliant
creators in the Hunter community, as we do every year. We are
very proud to present you Coloring Book 2020!

Rohan Agarwhal
contributors
EDITORS IN CHIEF:
Ondine Jevremov, Rachel Rui, Lynn Kim
ART/LAYOUT EDITORS:
Rohan Agarwhal, Ondine Jevremov,
Lynn Kim, Rachel Rui
WRITING EDITORS:
Sabrina Barton, Rohan Agarwhal,
Brianna Clarke, Allison Park,
Lynn Kim, Rachel Rui, Ondine Jevremov

Rohan Agarwhal

Rohan Agarwhal
nice haircut
by rohan agarwhal

Rohan Agarwhal
side effects may include:
chest pain, respiratory distress, and death
by rachel rui
the crying comes in waves
hurricane under sleeping oceans
lightning
in my stomach
and gasping wind
tempest spins around me
weight of waves
on my chest
waves
break
against the shore
another mouthful of seawater
as screams
dissolve
to tears
in my throat
half-empty lungs
shattered
glass
half empty
broken shard veins
spilled
on cold tile
and tablecloths
pour another boiling kettle
on the kitchen floor
saltwater soaked dehydration
tremble through the scarlet tears
hide a knife
inside my heart
lay my soul
in the poisoned
garden
of wilted easter lilies
another skeleton
washed up on these shores
terrified
of the deep end
gulping water
and chlorine
bleach
puncture breathing holes
in my body
breathe in
bleed out.
1937
BY RACHEL RUI
“Bro, I thought you already got a haircut.”
“Nah, what?”
“Last week when I saw you, you were all like, ‘Oh look at my fresh cut it’s so cool.’”
“Nah, I don’t remember that.”
Ben started squinting at my hair.
“I’m glad you think it’s fresh though.”
“Ha okay.”
Ben gave a small smile and walked inside the classroom. I bet he thinks I’m even weirder than before now. He’s going to have fun with this, isn’t he? Friends do these things, I guess. He had his time with my old hair for sure. I looked up and there was no one in the hallway except that new teacher running late for class. I was late. Running down the stairwell, the air felt different in my hair—no big bush of curls for the wind to stream through and wave like a flag. I did get a haircut last week. But it grew a bit over one week, maybe a sixteenth of an inch, so I got one again. A new school year meant a new me—I was not going back to wearing a dead bush on my head.
I always sat in the back so my head wouldn’t interrupt anyone’s view or attract any comments. But still, everyone’s eyes followed my head from the door to my seat even though there was nearly nothing there anymore. Second day of school, first class of this course, going the same as last year.
“Nice haircut.”
“Nah, what.”
“You look different.”
“Nah, no, not really.”
No haircut, haircut last week, haircut this week. Which was it again? I saw Ben again at lunch, folding a syllabus into a paper airplane. He stood up.
“Let’s get this caught in your hair,” he said laughing.
What NO. “Just let me eat.”
He threw it and it glided over my forehead. Right, I got a haircut. The plane hit the wall behind me.
“You forgot about all your haircuts or something?”
I kept eating.
“Bro, I’m just kidding. You know I’ve done this before when you had your afro.”
I kept eating.
“Why did you get a haircut anyway? You had that big hair for I dunno, years?”
I dunno. I don’t remember how long. I remember people squinting at the mass above my forehead with their curious faces right up until the last day of school. “Why do you care?”
“I don’t really. I’m just curious, why the change? I’ve known you for a long time, right? So, that’s all.”
I kept eating.
“What, can’t I ask?”
I kept eating.
“Okay man, suit yourself.”
You know what, I should.
The next morning: it looks the same. Not even long enough to have bedhead.
The next next morning: still the same.
The morning after that: I can see less of my scalp through my hair now. I think?
A week after: maybe a quarter inch longer? Maybe? My hair still feels sharp and pointed like clipped metal wires.
Another week goes by: I look good. But who’s gonna go get another haircut? Not me. My hair is a part of me. I should be showing people my personality and expressing it in every way possible. Everyone else does so. People don’t like boring rocks. Boring rocks at most have a bit of fuzzy moss on them. The best rocks are mountains, covered in trees and clouds, guiding the wind around them. And every peak stands out.
Another week: school’s stressful. My hair gets sweaty and smelly now. But it’s getting longer. A leaf hit my hair and stayed there this time, so that’s something.
Many many days later: Ah, back to my old self, how I should be.
+3 days: I was late again. The wind on the stairs doesn’t seem the same as it used to, sort of like it’s just pushing my hair rather than flowing around and through it. I’m getting more looks in class now that I’m back to wearing a bush.
I think I want a haircut.
“Bro, didn’t you already get a haircut?”
“Ya.”
“So that wasn’t a onetime thing?”
“Correcto.”
“So this is your new style, the new you.”
I mean I dunno, is it?
Late again. Running down the stairwell felt different again. I got looks following me to the back of the class again. What was happening again? This feels weird. I need to listen to Ben and suit myself again. Wasn’t I already suiting myself with short hair? If I wasn’t liking it, probably not.
The next morning: still no bedhead.
The next next morning: still no bedhead.
The morning after that: I can see less of my scalp through my hair now. I think?
A week after: maybe longer? It feels more like pipe cleaners this time.
Another week goes by with stares and glances flying through my non-existent afro: I look good. But I want long hair. Suiting myself this time. Short hair is not me. It’s my identity, my self-expression. I don’t care about looks.
Many many days later: my dead bush is back.
Another day: The wind streams through my hair down the stairs and it smells weird and feels weird and I don’t like the air pulling on my scalp. People don’t like dead bushes and they don’t like the dry, cracked earth under them either. I have a dead bush on top of me.
I’m getting another haircut.
“Bro, how many times are you gonna keep switching up your style?”
I dunno.

Pearl Skelton

Rohan Agarwal
he likes to remember
war stories played on high brightness
from the 2010 ipad with the weathered black case.
he remembers sharp stones
on bare feet on farmland
and his grandfather’s warnings:
times when babies were not safe
from being bayoneted by foreign soldiers,
sharpened spears sunk into soft skulls,
fingers cut off hands
that dared raise a fist.
and he cannot escape graveyard cities
when his blood still flows like rivers dyed red,
when he sees kerosene-soaked bodies,
torn mulberry silk, and
ten million hungry mouths
suckling soy sauce from unsalted meat.
empty stomachs
unwilling to part with a single bite.
in the dim basement-house
in the cold skyscraper city,
he plays back the past.

Pearl Skelton
all love is unconditional, until you ask why
all love is honey nectar nestled in golden spoons
and golden cradles, all things
crisp and sweet and sour
like apples in mid-november, you know the ones
you would slice thinly, the way i like
but all love is unconditional until it’s not, it’s
“i’ll keep loving you if you
want to kiss boys on the mouth
and not girls
on their lips,” it’s
“money, we have enough to go around
but honor is a filet mignon,
thrown into a world of wolves”
so we all know it’s goddamn conditional
and maybe i’ll keep loving you so you
still keep pictures of me, untainted,
playing a recorder, beside your bed
and maybe i’ll stay awake each night
daring to ask you if it’s really unconditional
too afraid to bring those words to my throat,
bitter nectar sealing my lips,
too afraid to find out.
easy
by lynn kim
"unconditional"
by lynn kim

Tiffany Zheng
Tiffany Zheng
know what to say, what to do
hands unstable but hearts careless
neither of us mind, he’s
a stumbling baby calf
nothing but veal under my gaze
big hands feel like cracking leather
skinned and sewn to the meat of my palm
he feels like nothing i’ve dreamed of
fantasies never do you any good, do they?
it’s easy,
playing along to a mirage of normalcy
can’t feel a thing, a ghost of my expectations
having entered my body,
slipping my hand into his, senses lost
but at night, what keep me awake?
my own lies whispers back to me,
my ears disbelieving,
my heart compliant.

Roza Nayda

Pearl Skelton
anatomy
by roza nayda
Lung
-
Each of the pair of organs situated within the rib cage, consisting of elastic sacs with branching passages into which air is drawn, so that oxygen can pass into the blood and carbon dioxide can be removed.
The road faded in and out of view, like the highway had been put on spin cycle. My chest ached like someone had just kicked it with steel-toed shoes. I sat beside my mother in the backseat of the car, lifting up my shirt to watch the rise and fall of my chest, the futility of it, the emptiness of it. At the hospital they rushed me through nebulous white: cots and ladies in white and white walls and thin needles disappearing into the nooks of my elbows. From behind the pale curtains my memories get even blurrier, the taste of orange and green apple jacks for breakfast once I could finally eat, the sting of removing a week-old bandage at home over the bathroom sink.
I missed a whole week of kindergarten, and when I returned, for the first time, my teacher let me stand at the front of the line, leading the class to the courtyard for recess. Amidst the tapping of my classmate’s feet, it dawned on me that I was well suited for slow, orderly lines behind cautious lunch ladies. Running had never been my strong point, but I was always trying to move forward, even as each foot tripped over the next, sinking in quicksand with needles stuck into my kidneys, my breath caught somewhere between my lungs and my teeth. Always coughing after a minute of tag, slinking over to the wall and watching as the other kids chased one another around, light-footed against the breeze.
In biology we learned about the tiny pieces that make up the lungs, the two bronchi that diverge into millions of alveoli, small and marble-round, tiny capillary veins hanging like grapes on a vine. A million branching passages that converge at one point, one point that, when blocked, stops the whole circuit board.
During the spring, I would sit inside the main office on white reception chairs, swinging my short legs over the edge, flipping through the pages of a new picture book each week. There were times, no matter how much I stayed indoors, that I would start coughing the guttural-choking cough, and my mother would rush to school during lunch with my inhaler, sitting patiently in the nurse's office as my lungs filled with air again. My heart would pound afterwards, my hands shaking, which I later learned was the aftereffect of steroids, but at the time I had thought was simply the wind running through my veins.
Hand
-
The terminal, prehensile part of the upper limb in humans and other primates, consisting of the wrist, metacarpal area, fingers, and thumb.
-
To deliver or pass.
My mother's hands are rough and fragmented, creased like aluminum paper. Worn down, valleys carved out slowly by running water, eroded. Pale pink pads matching the crinkles around her eyes. Her hands are our old wooden floors, the unlacquered ones in the living room, the ones that, if you stare at long enough, stare back at you. They morph and form shapes you can trace in the ground, lines that wrinkle and wind, guiding you up to her fingertips.
My mother's hands carry her life. They carried brooms and stung when she lit the match for the gas stove and cracked eggs into a lukewarm pan. My mother's hands were nicked by knives peeling apples and potatoes on cold floors beneath the windowsill, fingertips frozen by layers and layers of snow on rusted swings. Her fingertips were scalded by hot wax peeling from Hanukkah candles, forming like the rings within rings of tree stumps. My mother's hands did the dishes every morning, scrubbed the counter, wiped the suds off the bowls. Her hands sewed patches onto my cousin’s hand-me-down pants whenever I'd rip them at the knees, pulled me up off the ground whenever I'd slip on my way home from Kindergarten.
When I was 5 years old, I accidentally stuck my hand into a grater, only to realize my finger was not, in fact, a carrot (surprise surprise). I remember my mother's hands holding a towel to my index finger, red droplets speckling the white sink. Rivulets flowed down my hand, mixed into the crevices of hers.
There are no marks left on my finger from that incident, no scars.
My fingers are glassy and smooth, pink pads and shallow lines. My hands don't match my mother's, her small thumbs and long nails, my fingers thin with nails clipped to the root.
When I press my palms against hers I wonder where her hands and mine converge. Do the lines on her hands tangle with mine, her crevices pushing into me, handing them down?

Tiffany Zheng
first dream
by rachel rui
i think the first time i dreamed
of something
other than darkness, it was dusk and
the sunset tinted
the backs of my eyelids
red. the moon left
marigolds on my doorstep;
the light was still
amber and crepuscular
when nyctimene spread her wings and i stretched
my arm out and
felt the skin tighten against
my bones; the boundaries
of my vessel said
this was my capacity.
it was not safe
to live outside my body
but my mind chased
the sun’s fire, desperate to know
more, if purgatory
is overpopulated
or infinite,
yet the body could not follow.
the body bends
to gravity, and i think
that gravity
is perhaps too much like hope.
we make hope seem
too alive. that it can grow,
that it can die—
as if wishes on shooting
stars have an
existence like ours.
they tell you that
this is your place, this is as
far as you can
go, and you build feathers
for your heart
but when it drops you remember that when
something goes up, it comes down,
crashing soft and
curving and parabolic.
it is already midnight, so
let the moonlight drip off
the paintbrush, fall until it
fades and the tenebrism
sharpens the light
like a scythe against the dark. she
who wants to be a sickle
must bend herself early, so
just hold yourself
with your gravity long enough to look up.
float weightlessly
and if you can-
not become an
astronaut, just become an
angel.

Roza Nayda

Roza Nayda
american power
by nathan jackson
The snow started before we had even started to drive north and kept coming
down. But the light changed. After three or four hours we stopped for gas, and
when I looked up, between the front seats, big flakes were still drifting down,
onto a row of pine trees at the end of the gas station lot. The sky and the upper
branches had blue poking between them, but the bottom of the trees were dark,
and right in the middle the glarey sun was sinking down into the dark part.
Usually we spend Thanksgiving in our small city apartment, with mom’s Polish
friends in New Jersey or Pennsylvania, or with my dad’s family in Boston. But
this year an American had married my Polish-American mother’s college friend,
Elina, and they invited us to his cottage and club property (he called it his “fort”)
for Thanksgiving, five or so hours upstate.
I did not know Brett well, nobody did, he was this guy she met on a dating
website after a lot of dates. He and Elina and my family had met in Central Park
the last summer to go boating and then have a picnic on the lawn. Brett was
polite. He talked fast but really quietly, it was almost like his voice was a loud
whisper, and he knew a lot about things - the turtles our boats scared off the rocks, architecture - he is some kind of architect. He is older than Elina, I can’t say how much. He has horizontal creases on his forehead which makes his head look
funnily rectangular to me, like a cartoon. I was on my phone mostly on the drive,
but I guess I was thinking about Elina and Brett too for the last hour, when we
were driving between pine trees on either side under a darkening river of sky
winding over us towards some dark ending.
* * * * *
“Wow, thanks for coming! Yea, guns are beautiful, you’re from New York,
probably you don’t understand that,” Brett said. That was weird, I thought - he
lived in New York most of the time. We’d finally found our way without our GPS
or the internet which didn’t work in that part of New York, but we drove under a
gate with fake electric torch fires on the sides, and followed Elina’s directions to
the cottage, which Brett had designed. The whole house was glowing wood, and
as soon as you walked in you saw two hunting rifles inside a locked glass case in
the front hall, which Brett said he used to hunt rabbits and “varmints” that came
onto the club property. I’m more into computers than guns, except in some
movies. That was the first time I had seen real live guns. But I have to admit at
that moment I was fascinated by the actual reality of those glowing wood and
metal guns, not just as something in movies. I wondered if he’d unlock the case
so we could shoot some varmints sometime, though if I thought about it, I
wouldn’t want to shoot a rabbit myself.
Elina had described Brett’s politics as “patriotic” - not Democrat, not Republican,
but “patriotic.” I didn’t know what that meant - “patriotic” can mean a lot of
things. Whatever “patriotic” meant in Brett’s case, I sensed that his views were
different from my parents’ or Elina’s. I wasn’t too worried, though. It was
Thanksgiving - surely political stuff, of all things, wouldn’t become problematic
at a time like this. (Note: I do not like politics, even though I want to use my
science interests to get people on the side of doing things to stop global warming.)
For the first day of our visit, everything went on as could have been expected. We had meals together, visited a museum of local history, watched a movie in the basement, and did a little cross country skiing on nearby trails. Despite the initial good signs, my hopes for a peaceful Thanksgiving turned out to be wrong.
The treacherous topics of politics and history came up the night of Thanksgiving, with Elina, my mother, and Brett sitting in front of his fireplace, after we all had dinner in the community house nearby with all the other hunters and longtime locals. My father was already asleep in a bedroom upstairs. I was sitting at a desk on the other side of the room, watching “The LEGO Movie” through a bad connection. I wasn’t listening closely to the conversation, but I tuned in occasionally, and - through the snippets I could register in the back of my head, - I gathered that they were talking about the Second World War, Trump, neo-Nazism, and especially American foreign policy. My mother and Brett had their views, which they unflinchingly defended, while Elina seemed to vacillate between their positions.
Suddenly, Brett jumped up from his chair by the fireplace and...erupted. He started actually screaming. ‘How my mother dared to come into his house that he had built and disrespect his country.’ Mom went quiet. I gripped my laptop tightly. I was actually thinking of hitting him with it if he went at mom. Elina tried to interject but gave it up almost immediately. Brett walked to the front hall, where the firelight reflected off a glass case, seeming to be possessed by some powerful force outside of himself. A grown up man, normally quiet and dignified, he was hitting his feet against the ground and ranting.
Before the blow up, I had tried to ignore their more and more heated banter, hoping that it would go away, but instead it boiled up. “You can’t disrespect this country!” Brett went on. “No one should! Not me, not you, not anyone out there.” He pointed out the picture window at the dark. I wondered who “anyone” was - the club members, or unnamed beings beyond the fake fire lanterns facing the dark. At the end, I could feel the floor shaking beneath my feet from Brett’s stamping, even at the distance I was from them.
“And you have the nerve to say that in my house, after I invite you in, after I take your son out to a party!? Take your kid, get out!”
It was true, the night before, Brett walked me to a nearby house where a large group of people played games, including a few teenagers. I had been dependent on him to guide me through the cold and dark and snow to the house where the party was, but he wasn’t just sitting around being bored once we got there. He seemed to be having a good time, talking with a few other adults about ski mobile hunting and, later, joining in a chess game (he lost).
Brett’s explosion ended as abruptly as it started. He stood there, seemingly stunned by himself. It was quiet for a second after he finished. Until my mother - through sheer desire to prove her point, emotional investment in what she was talking about, or just to get the last word in - said, slowly: “My grandmother was sent to Germany as a slave laborer”.
Brett did not shout this time. He kept apologizing meekly, under his breath. “I’m sorry...for what I said...and did...Politics...shouldn’t get so heated...we all...should step back a little bit…” Eventually, he subsided into silence, and just washed dishes as my mother and Elina hurried upstairs, with me following as fast as I could so as not to be left alone with him.
I couldn't imagine just going to sleep, so I stayed up and made it almost to the end of the movie before nodding off in my bed. My mother and Elina stayed in my
bedroom too, sitting at the foot of the bed and later bringing in their bedding and sleeping between my bed and the locked bedroom door.
The morning after, me and my family ate breakfast as if everything was normal. Brett offered to take me out to return a pair of snowshoes we had borrowed the day before Thanksgiving. I said NO because I had work to do. I also asked my parents whether we could leave now but they wanted to stay and eat breakfast, and then see some historical sites with Elina and Brett (why?!). The whole morning, I avoided talking with anyone, or mentioning what had happened the night before.
There was one last, excruciating moment when we got out of the car to look at a long abandoned mill building. I was relieved when I got into the car with my parents to begin the drive back to New York City. Finally, after we got in, and said our (chilly) goodbyes, I stopped being afraid.

Rachel Rui

Rohan Agarwhal

Tiffany Zheng
mariner's harbor
by rachel rui
jason reaches the sea of
burning asphalt behind
public school 44, runs with exposed
achilles tendon and one laced
sandal over cracked coals and chalk-dust
hopscotch pushed against rusted chain-
link fences as he navigates
maple parkway’s empty
playground. he follows constellations
and aries’ celestial longitude,
imagining the cusp of the vernal equinox;
sent by a false king towards battles and
symplegades’ clashing cliffs, he thinks about
how, on staten island’s own
argo, he always loved standing
on the deck, facing boreal wind and
seafoam, looking towards the world
left to conquer and the open
sky, dreaming of melting feathers on
winged rams with golden fleece, gilded like
the letters of prosperity scribbled
on the edges of red envelopes
during lunar new year, brushed over by
midas. wishing to be more than
a burning pyre, a stillborn
baby, anchored by soft trident
gum under wooden auditorium
seats and faded paint on the abandoned
platform seven blocks northeast
of the chinese restaurant on amity place,
grandson of the cantonese lady who walks
down forest avenue with black
trash bags full of empty ten-cent
water bottles and soda cans.
revitalized from semiconscious
fragments, he was a hero
raised by sagittarius,
prince who could yoke fire-
breathing oxen and sow
teeth of a dragon. yellow laurel leaves
in his hair, holding greek fire like a will-
o'-the-wisp lighthouse,
bathed in light and
burning.
my name
by roza nayda
My name on my mother’s tongue slides through her mouth, soft at the beginning, like a gentle exhalation, harsh at the end, the thin stab of a needle, pointed and poised. My name in my mother tongue is blurred at the beginning, smoke that tastes of my father’s old books, eyes blurring as you open their pages, tearing apart lovers and releasing streams of dust dancing in the light, beams that slide through half-closed shutters. The blooming of a field of thin-stalked flowers, heavy purple heads bending down to the ground under their own weight, swaying in a dance synchronized with the heartbeat of the wind. The P is a coughing sound, my mother wrapping a spoon in napkins and dipping it into honey to cure a cold. Choking on sweetness. The rolling sound at the back of your mouth, tongue feeling for the right place for thunder to collide with the roof of your palate, the tang of a gravely -rrrr. The o is the oh of surprise, as though you weren’t expecting it there. It’s a small pause, a consideration. Who are you again? An exhalation of air, the sound of emptiness. The slackening of shoulders. The -за is quick, a single breath, a rhythmic beating of a heart. -Za is the sound of droplets of water dripping on the windowsill in the morning rain. The coming together of soft rose petals, unfolding in the morning dew. Роза.
In the hallways, my name echoes cold and concrete. The letters slide differently, grip differently. R is hard rocks tumbling, the splintering of lighting. It is the feeling of biting down on fish and discovering tiny, silvery bones, the clacking of teeth as they collide. The O is capital, a proclamation, and exclamation, a declarative. The clack of heels on tiled floors, tick tick tick. The -za follows closely behind, terse, tense, back straight and shoulders spread apart. The alarm clock in the morning, a small ringing, an incessant voice. Roza.
Translate Roza through languages, translate it through time. My great-grandmother’s name is thorns on my mother’s tongue, smoothed out by my grandmother’s echoes. It is cutting your finger on sharp edges, the plink plink of thin beads of blood on pale wooden floors, the rubbing of a clean white cloth soaking them up. The P is the sound of scraping vinyl records, the upright back, prim and proper and straight. The o is a command, piercing blue eyes and a halo of dark brown hair, looking down at you. The -за is the cracking of glass vases, the splashing of water on the ground as tiny shards shatter into tinier shards, the crinkling of flowers, the shrinking of petals, floating like boats in puddles. My name is my great-grandmother’s name. But her sound is Роза and mine is Роза, a completely different palate, a different breath in my mother’s abdomen. Miles apart.